Deutsche Oper Berlin 2014-15 Season with Rolando Villazon headlining

The Deutsche Oper Berlin has announced its 2014-15 season. The season will feature a number of great stars including Rolando Villazon in Don Carlo, Elina Garanca in Der Rosenkavalier, and Lyudmila Monastyrka takes on Abigaille. There will be a Lohengrin with Klaus Florian Vogt, Anja Harteros, and Waltraud Meier. Harteros will also be in  Tosca and a single concert Ariadne auf Naxos. 

 The premieres are:

• Oresteia by Xenakis - in the Deutsche Oper car park
• The Rape of Lucretia - c.Nicholas Carter d. Fiona Shaw - the Glyndebourne production will be shown in the Haus der Berliner Festspiele
• Lady Macbeth of Mtsensk  c.Donald Runnicles d.Ole Anders Tandberg, with Evelyn Herlitzius and Sir John Tomlinson
• La rondine c. Roberto Rizzi Brignoli d. Rolando Villazon 
• Roméo et Juliette c. Donald Runnicles d.Sasha Waltz
• Faust c. Marco Armiliato d.Philipp Stölzl, with Teodor Ilincai, Ildebrando D'Arcangelo and Krassimira Stoyanova

Recent HD's That Need a DVD Release

Two years ago I posted an article on performances that never obtained a DVD release and that should. These performances were a number of historical telecasts starring some of the best from the past. Out of the list only one was released, the Andrea Chenier from the Met with Pavarotti and Maria Guleghina. However the rest are still on a shelf collecting dust. Some of them have been added to the Met opera on Demand but the rest are either on Youtube or not available. The following is a list of recent performances that have made history or that are exceptional but have been ignored by distributors.

Placido Domingo vs. Leo Nucci

I always hate comparing but I wanted to know what you guys think of these Nabucco performances from these two veteran artists with the great Liudmyla Monastyrska?

The Covent Gardens new Nabucco at La Scala

La Scala premiered their new Nabuco with a spectacular cast that includes the amazing Liudmyla Monastyrska and veteran baritone Leo Nucci. The production will land in London in April. Here is the full production.

 

Met Opera Review: Two powerhouse Divas triumph in the Met's riveting Aida

By Francisco Salazar 

(For 11/23/2012 performance)

In the last few years the Met has suffered subpar casting choices and routine conductors for Verdi's Aida making for some of the most forgettable nights at the opera. On Friday the opposite occurred. Sonja Frisell's beloved 1988 production of Aida returned to the Met with an outstanding cast and incredible conducting. 

On this night rising star Ukranian soprano Liudmyla Monastyrska made her Met debut. Already a superstar in her native country, Monastyrska came to worldwide acclaim after an unforgettable Lady Macbeth at the Royal Opera House. She made her US debut at the Richard Tucker gala a few days before opening night singing an aria from Macbeth and stole the show. Therefore the expectations for Monastyrska were high on this night. Monstyrska more than superseded expectations making her Aida one for the ages and one that will be difficult to top. Monatyrska possesses an agile and huge voice that easily rang through Verdi's huge orchestra and massive choruses. She was also able to sing beautiful phrases and immaculate pianissimos. During her first aria "Ritorna Vincitor," Monastyrska easily brought to life Aida's confusion and remorse. Each phrase was sung with power and yet with delicacy demonstrating her suffering and her pleas to her Gods. At the end of the aria when Aida states "Numi Pieta" (God have pity), Monastyrska gave each line a sense of yearning. This was once again repeated at the end of the Amneris-Aida duet. In her second aria "O Patria Mia" Monastyrska's brought nostalgia to each line she sang. At the climax of the aria, her high C was sung not just as a showstopper but as a cry for her country.