Eugene Onegin Preview 2013-2014

The Metropolitan Opera will open the 2013-2014 season with Anna Netrebko and Mariusz Kwiecien in Deborah Warner's acclaimed production of Eugene Onegin.

 

Deborah Warner's production premiered at the English National Opera to great reviews and universal praise. Critic's stated, "Warner proved conscientious in delineating character and relationships in the action and interaction of the principals." They also stated "Deborah Warner's superb production of Tchaikovsky’s masterpiece scores both visually and emotionally."The production is updated to the 19th century and according to Warner the opera is "rich and emotional."

Notable CD and DVD Releases For the Month of June

The month of June will conclude the Tutto Verdi celebration as well as will bring a new CD by Alekandra Kurzak and Cecilia Bartioli's new Norma. Additionally Renee Fleming's Ariadne Auf Naxos will finally be released.

The most anticipated release of the month is by far Cecilia Bartoli's Norma. The new recording also stars Sumi Jo and John Osborn and brings a new critical edition that should prove revealing for audiences and the musical world around. It may also split many but it is one to listen to if for mere curiosity. 

Faust Opens Tonight

Des McAnuff's Faust opens tonight with Piotr Beczala John Relyea and Marina Poplavskaya. The prodution will conducted by Alain Altinoglu.

For more on the production click on our preview linked here.

For our review of the production click here 

Faust Preview 2012-2013 Season

Des McAnuff's incomprehensible production returns to the Met starring Piotr Beczala and Marina Poplavskaya.

The Production
Last year the Met unveiled The English National Opera's production of Faust replacing Andrei Serban's visually lavish production of Faust. Gelb's reason for replacing a production that had only been shown 13 times was because he wanted a more theatrical Faust. However what he got was an incomprehensible and confusing production. Rather than pleasing the audience with a dazzling, energetic and colorful take on the simple love story, Gelb bored audiences and critics alike. The production which takes place during World War 2 in Faust's laboratory has interesting and diverting sequences as well as interesting lighting effects. However when McAnuff is forced to work with the heavy material, he runs out of ideas and relies on the singers to engage the audience. As an audience member it did not matter how beautiful the singers were singing because I was confused and uninterested by the action. Critics were also not impressed by the work. They stated that "there was something about an atomic bomb, and Faust being a middle aged man with a mid life crisis who actually DRINKS the poison and then suddenly has a flashback because he returns to that moment where he drank the poison and dies as the final curtain comes down. Confused? So was I. McAnuff mentioned a flashback sequence, but only confusion arises from this: in a flashback, someone goes back to their youth, which Faust promptly does after Mephistopheles gives him the potion. However, Faust does not immediately turn young when he drinks the poison. He remains old, and invokes the devil to make him young again and the story proceeds as it normally does. It could have been interpreted that he flashed back when the devil showed up except McAnuff shoots this interpretation in the foot the moment Faust returns to the moment when he drank the poison the first time at the end of the performance." Critics also questioned many aspects of the production including where  Marguerite goes when she dies, Where are those stairs leading her to at the end, Is there a heaven in a universe where Science has presumably become/ destroyed God, and why is the Atomic Bomb concept abandoned after the Walpurgis Night Scene and make no impact on the opera's final scene. The point is the production was unclear and unfocused. Gelb's decision left me never wanting to see another Faust until this production is removed forever from the Met.