Showing posts with label Johan Botha. Show all posts
Showing posts with label Johan Botha. Show all posts

Thursday, February 7, 2013

The 2013-2014 Lyric Opera of Chicago Season Announced


The Chicago Opera has announced their new season with Anna Maria Martinez (Rusalka, Otello), Jonas Kaufmann (Gala Concert), Joyce Didonato (La Clemenza di Tito), Joseph Calleja (La Traviata) and Johan Botha (Otello) leading an all star season. Falk Struckmann (Otello), Brandon Jovanovich (Rusalka), Isabel Leonard, Nathan Gunn (Barber of Seville) and Thomas Hampson (Parsifal) will also take part in the season.

Friday, October 12, 2012

Botha cancels!

After a suffering from allergies on opening night Johan Botha has decided to cancel the next performance of Otello. The Met Press ofice released the following: Avgust Amonov will make his Met debut in the title role of tomorrow evening’s performance of Verdi’sOtello, replacing Johan Botha, who is ill.

Monday, October 8, 2012

Otello Opens Tomorrow

Johan Botha and Renee Fleming return to Otello conducted by Semyon Byhkov. Faulk Struckmann and Michael Fabiano makes his role debut as Cassio.


For more information read our Preview linked here.
For more information on Renee Fleming click here on our Rodelinda preview. 

Saturday, October 6, 2012

Otello Preview 2012-2013

Johan Botha and Renee Fleming reprise their roles in Elijah Moshensky's production of Otello. Jose Cura and Thomas Hampson take on the second run.

The Production
The elegant 1994 production by Elijah Moshinsky returns for its final run. Moshinsky who made his Met debut in 1980 directing Un Ballo in Maschera first mounted this Otello in honor of Placido Domingo's 25th anniversary with the Met. The production was sung by him in the late 90s and then was taken over by other lesser known Otellos who lacked the same vigor that Domingo had. As for the production, it has the same lavish grandeur of a Zeffirelli production. The sets are made up of huge marble pillars, and mythic paintings. There is a huge plaza at the end of the third act and a huge bedroom at the end of the fourth act. It is in all sense the monumental production one expects from Otello. Nevertheless critics have complained about Moshinksy lack of direction and his placement of the chorus, and overwhelming sets. They have also complained about the first scene which they say looks like a construction sight rather than a dock and a castle. Regardless of all the complaints it is a production that presents the action without any superficiality and dumb concepts. It will be the second time this production is recorded and the first live in HD transmission for it.