Andrea Chenier Opens Tonight

Giordano's masterpiece opens at the Metropolitan Opera with Marcelo Alvarez in the title role, Patricia Racette as Maddalena and Zeljko Lucic as Gerard. The production by Nicolas Joel will be conducted by Gianandrea Noseda. The opera will be livestreamed on the Met website and on Sirius. Tell us what you think of the performance!  

Future Seasons

Over the past few days a number of announcements have been made regarding future seasons at the Met and all over the world. Here is a an overview.

Christine Goerke will sing Brundhilde at the Met in 2018-19. The announcement was made in the New York Times and although it is exciting news it would have been better to stage this earlier now that the soprano is her prime.

Roberto Alagna will sing Otello and Cyrano de Bergerac. Alagna announced that he is doing Otello next summer in Europe and while that does not surprise anyone, is he really up for the challenge of the daunting role. Most importantly does he have the voice because he has the acting skills. He also announced that he will do Cyrano at the Met with Patricia Racette.


Anna Netrebko has recently announced that she is singing Il Trovatore at the Mariinsky theater in December and at the Met in 2015 with Yonghoon Lee.

Tosca in HD This Weekend

This weekend Tosca will  be screened Live in HD for the second time. The production by Luc Bondy is one of the most controversial productions at the Met as it premiered to a number of boos in 2009 at the Opening Night of the season. The Met has presented the production four straight seasons and has failed to sell out the house.  

This season Patricia Racette will bring her acclaimed portrait of the diva. However Racette's voice has declined in the past years since she first sang it in 2010. The voice struggles to get to the top of the range and she sounds uncomfortable. Roberto Alagna sings Cavaradossi and critics have praised him for his ardor. However Alagna struggles with most of the role except his arias and has a hollow sound. As Scarpia George Gagnidze brings his chaotic voice to the role which he sang at the premiere of the production. His Scarpia is one dimensional and he has failed to add any layers to the role.  

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With all these elements it seems this HD will be one of the biggest disappointments of the season. Additionally it seems like it will be a waste of time considering such operas as Di Frau Ohne Schatten, Arabella, Die Fledermaus, and Norma were ignored. 

As Opera fans which HD would you guys have liked to see instead of Tosca? Who is Going to see this Work?

The 2013-2014 Lyric Opera of Chicago Season Announced

The Chicago Opera has announced their new season with Anna Maria Martinez (Rusalka, Otello), Jonas Kaufmann (Gala Concert), Joyce Didonato (La Clemenza di Tito), Joseph Calleja (La Traviata) and Johan Botha (Otello) leading an all star season. Falk Struckmann (Otello), Brandon Jovanovich (Rusalka), Isabel Leonard, Nathan Gunn (Barber of Seville) and Thomas Hampson (Parsifal) will also take part in the season.

Meade to the Rescue

“Angela Meade will sing the role of Leonora in tomorrow afternoon’s performance of Verdi’s Il Trovatore, replacing Patricia Racette, who is ill. The performance will be broadcast worldwide over the Toll Brothers-Metropolitan Opera Radio Network. As previously scheduled, Meade will also sing the role on Wednesday, January 16.”

San Francisco Opera 2013-2014 season announced

The San Francisco Opera has announced their 2013-2014 season. Patricia Racette will lead the season opening with Mefistofele as well as with Showboat and Madama Butterfly. Ramon Vargas, Dolora Zajick, Ildar Abdrazakov, Isabel Leonard, and Bryn Terfel also make up the lineup.

Il Trovatore Preview 2012-2013 Season

David McVicar's crowd pleasing Trovatore returns with a cast of up and coming stars which include Gwyn Hughes-Jones, Carmen Giannattasio and Alexey Markov

The Production

For years the Met had suffered from terrible productions of Il Trovatore from Fabrizio Melano and Grahm Vick. They were unable to tell the story that has become known for its complicated plot and its complex characters. In 2009, 6 years after the last Trovatore had been shown, the Met unvealed a new production by David McVicar and quickly became a critic and audience darling. The production has only missed one season and has been easily cast. Set in the Spanish Civil War, McVicar's sets uses a rotating turntable to easily move the action forward. The backdrops draw inspiration from “The Disasters of War,” Goya’s series of etchings and give the production a consistent and harrowing look. Having seen the production twice I was absolutely convinced the first time by its direction, and its imagery. As critics stated I believed the Trovatore "curse was broken." However the second time I was bored as the sets looked like drab and ultimately failed to provide any new insight. I don't know if it was because the cast was nothing special or because the production is ultimately a one shot deal. However what I do know is no matter how good a production is, the cast is ultimately what matters when it comes to this opera.