Juan Diego Florez returns to Rossini's delightful comedy Le Comte Ory with Pretty Yende in her Met debut. Nathan Gunn and Karine Deshayes join the cast with Maurizio Benini in the pit.
For more information on Le Comte read our preview linked here.
Juan Diego Florez returns to the Met with his acclaimed turn as Le Comte Ory. Pretty Yende makes her anticipated Met debut.
The Production
Bartlett Sher made his third production with Le Comte Ory. He set the opera within a theater and it was supposed to be an opera within an opera. The concept was confusing because in the end the production did not work. Critics called it incompetent and stated that "Michael Yeargan's sets looked like something middle schoolers could knock together from cardboard boxes and shower curtains. But even they might have passed muster had Sher placed even a single witty scene before them. Instead, he settled for breast-grabbing, butt-groping and enough hammy business for actor Rob Besserer, in an extraneous role, to steal focus from every musical or dramatic climax." Some were less harsh stating that while it did not work they would accept it. The New York Times was one of the few to enjoy the production stating that Sher brought Nuance, and intelligence." The production is made up of an old barn of a place, with brick walls lined with candles. Within that big room there is a miniature theater with a low platform stage and a curtain in back." The sets are stark and sometimes boring to look at but if there are good performers on it the production works. With Juan Diego Florez back on board, Sher's production should be as refreshing as the first time around
