By Francisco Salazar
(For the January 4th 2013 performance)
After 200 years in the repertoire, the Met has finally decided to premiere Donizetti's Tudor triology. The Met had originally tapped diva Anna Netrebko to sing all three operas but Netrebko decided on only singing Anna Bolena. David McVicar was hired for the proceedings and Joyce Didonato was tapped for the second of the trilogy Maria Stuarda.
Last year McVicar directed Anna Bolena and received mixed
reviews for his dull sets and his lack of clarity in direction. McVicar promised a more romantic approach to his followup production but proved to be even less convincing. The opera has a red curtain of a painting with a lion and a chicken ( or a rooster) representing the power struggle between Stuarda and Elizabeth. It is a good setup if only I understood whether it was a chicken, a turkey or a rooster. McVicar's opening scene seemed to be theatrical incorporating dance as a celebration to Queen Elizabeth's recent engagement. The set is made up of a big red arch similar to Anna Bolena's red bed and a big table/stage. However once the chorus and the dancer's leave the staging becomes stale with absolutely nothing to look at. Leicester sings his aria standing around and then Elizabeth and Leicester confront each other but again they are simply stand around. I don't fault McVicar completely as it is hard to stage Bel Canto Opera but the problem is that this happens throughout the evening. The two opening scenes while well sung did not do enough to engage the audience in the opera and one only waited impatiently for Didonato playing Maria Stuarda to get on the stage.